The MSO Chorus Makes a Classics Comeback!

Chorus chat with Daniel Afonso / May 12 & 13: Mozart Requiem

The MSO Chorus Makes a Classics Comeback

Since returning to in-person rehearsals and concerts last season, the MSO Chorus has been steadily working on returning to its full power. We’ve enjoyed their performances at our Holiday Pops! and Holiday Candlelight Concerts, but this May will mark the first time they’ve performed in a Classics Series concert since 2019.

We chatted with chorus director, Dr. Daniel R. Afonso Jr. to gain more insight into our beloved chorus and their return to stage with Mozart’s Requiem.

MSO: Can you give our audiences a brief background of Mozart’s Requiem?

Daniel Afonso, chorus director: Mozart’s Requiem is certainly one of the composer’s best known works—and there are certainly plenty of reasons for it. The music itself is beautiful and full of expressive elements that have made the work very popular for centuries, but the Requiem has also been shrouded in mystery and the subject of folk tales and much gossip. Everything started with Mozart receiving a commission from a mysterious Viennese patron to write a Requiem for his wife—the patron wanted to remain anonymous, sent a messenger to talk to Mozart. To complicate things further, the composer died (at age 35!) while working on this music and before being able to complete the full work. Although we now know much more about the origins of the Requiem, these “tales” and conflicting stories about the work continue to feed audiences and performers with some extra “drama” that adds to the work’s overall appeal.

Another element that contributed to Mozart’s Requiem popularity was the highly fictionalized movie about the composer’s life that came out in 1984, Milos Forman’s Amadeus. It was while watching the movie that I learned about the Requiem and fell in love with it. Later, in 2012, I had one of the highlights of my music career when I had the privilege of conducting the CSUS Chamber Singers and members of the MSO Chorus in a performance of Requiem at Lincoln Center, in New York City.

MSO: There are many iconic sections to the Requiem, like the “Dies irae” and the “Lacrimosa.” What about these sections of the Mozart Requiem do you think audiences will find most exciting to hear or see performed live?

DA: Yes, these two movements do have the most recognizable music of this entire work. And I believe this is due to Mozart’s ability to write music that perfectly depicts the character and meaning of the text. These two movements are part of a larger section of the Requiem called “Sequence” that describes the “judgment day.” The Dies irae begins this section and the Lacrimosa ends it. In the Dies irae, the words describe judgment day as a “day of wrath” when the world will “dissolve in ashes.” And in the Lacrimosa, the words depict a “tearful day” when “the guilty man will rise from the ashes to be judged.” These are powerful and colorful images that Mozart expertly matches to equally powerful and ingenuously constructed musical ideas. The result is music that is both beautiful and expressive, full of different colors and musical elements that at the same time intrigue and fascinate the listener.

MSO: You’ve been the MSO chorus director since its foundation in 2001, what has it been like working with a diverse group of singers for over 20 years?

DA: I absolutely love working with the MSO Chorus! And the diversity in the group’s membership is one of the most interesting aspects of the work to me. We have singers of all levels of ability and musical experience in the group. We have experienced choral singers and some who have music degrees (music teachers, music ministers, etc.). We also have many singers who don’t read music and some who had never been part of a choir before. The power of collective singing comes exactly from that: different people working together with a common goal, helping each other to overcome any challenges and difficulties during the process. And every time the chorus performs, we are reminded of the importance of working together as a cohesive community, and how music can be a powerful tool to bring people together. Now, add to that learning and performing some of the most exciting music ever written for choir and orchestra, and you have the full picture of how wonderful my job is!


Hear Mozart Live

Join the MSO Chorus as they perform Mozart Requiem live this May 12 & 13, 2023 at the Gallo Center for the Arts!

The Perseverance of Florence Price

about the composer

The Perseverance of Florence Price

Florence Price, composer

Florence Beatrice Smith was born on April 9, 1887, in Little Rock, Arkansas. Her father was the only African American dentist in the city and her mother was a music teacher, who provided Florence with her earliest musical training. Florence proved to be highly talented, giving her first piano performance at the age of four, and publishing her first composition at the age of 11. In 1902, at the age of 15, she enrolled in the New England Conservatory of Music in Boston, Massachusetts, and was the only one of 2,000 students to pursue a double major in organ and piano. She graduated with honors four years later with a teaching certificate and an artist diploma in organ performance.

Maude Roberts George, arts administrator

1910 marked the beginning of a new chapter for Florence where she began her teaching career in Atlanta, Georgia before eventually settling in Little Rock after marrying Thomas J. Price and having two children. Increasing racial tensions in the South led the Prices to leave Little Rock and settle north in Chicago. It was here that Florence’s composition career began to take off. In 1928, she published four compositions for piano while studying with Chicago’s leading composition and organ teachers. In 1933, Maude Roberts George, an advocate for the Arts, especially for those underrepresented, paid $250 (the modern-day equivalent of $5,093 ) for Price’s Symphony No. 1 to be performed by the Chicago Symphony Orchestra as a part of the Chicago World’s Fair. This made Florence Price the first Black woman to have her music performed by a major U.S. orchestra. Price’s unique style began to appear in 1938 with the completion of her third symphony. In traditional Romantic fashion, Price’s Symphony No. 3 has four movements. From the beginning of the piece, Price’s modernism shines through with a slow introduction that leads into a turbulent main theme. As the second movement starts, the influence of Black music comes front and center as jazz and blues themes take over in the solo trombone. The third movement continues to celebrate the blues, while introducing a Juba, an African American dance style created by those who were enslaved in the Deep South with specific origins being linked to Charleston, South Carolina. It’s a dance involving stomps and claps and eventually influenced future styles of music and dance in popular culture, such as modern tap dancing, and rhythm and blues singers which eventually influenced rock musicians. In the symphony’s final movement, the African American styles and classical music influences collide, providing joyous energy.  

Over her lifetime, Florence Price composed over 300 works in a variety of genres, including symphonies, choral works, pieces for piano and organ, and many others. She passed away in 1953 at the age of 66. In a time when classical music was largely based on European traditional practices, Price’s compositions were distinctly American and celebrations of her heritage that incorporated Black spirituals and folk traditions. Florence Price was a pioneer in classical music not only for her gender but also for her race. Her legacy brought a new narrative and voice forward that was largely overlooked.

Join us as the MSO performs Florence Price’s Symphony No. on May 12 & 13 alongside the monumental Mozart Requiem.


Listen to Price’s Legacy Live!

Come hear Florence Price’s Symphony No. 3 alongside Mozart’s Requiem, conducted by Anthony Parnther, this May 12th & 13th at the Gallo Center for the Arts!


Learn more about Price (Reference):

Sound Bite / What Is the Great American Songbook?

Have you ever heard of The Great American Songbook? Even if you're not familiar with the name, you certainly have heard the classic pop songs that make up the genre. Join Principal Pops Conductor Ryan Murray as he explains why The Great American Songbook is considered to be "America's Classical Music."

Hear The Great American Songbook performed live by the MSO this March 17, 2023!

Barber's Violin Concert Will Make Your Heart Race! (feat. violinist Simone Porter)

Don't miss the "soul-shaking beauty and heart-racing excitement" of Barber's Violin Concert performed by violinist Simone Porter this February 10th & 11th!

Andrew Grams will conduct the MSO for the Barber & Brahms concerts with a program that will take our audiences on an emotional journey of love, loss, and the beauty of life. We’re also excited to have violinist Simone Porter to share her amazing energy and beautiful tone in Samuel Barber’s beloved Violin Concerto. The concert will conclude with Brahms’ Second Symphony, which will leave our audiences full of optimism.

Hear the works of Brouwer, Barber, and Brahms performed live by the MSO this February 10 & 11, 2023!

Music Education is Fundamental

Support music education and support the future of our community!

Now through the February, the MSO is celebrating our music education programs that provide the fundamentals of fostering the next generation of community leaders and builders. You can help support our community’s youth by giving today!

Yes! I want to help the MSO keep music education in our community

Musician Home-Stay Program!

The MSO offers a limited amount of home stays for our musicians to help relieve the cost of finding lodging for our concerts. Support the MSO by opening up your home to one of our orchestra musicians! We welcome all interested to contact us, homes outside of Modesto are welcome too!

If you’re interested or want to learn more about this program click the link below:

Learn more about our musician home stay program

Sound Bite / The Heartfelt Emotions of Brouwer, Barber, & Brahms

Guest conductor Andrew Grams explores how music can tug at one's heartstrings in a way no other type of communication can.

Grams will conduct the MSO for the Barber & Brahms concerts with a program that will take our audiences on an emotional journey of love, loss, and the beauty of life. We’re also excited to have violinist Simone Porter to share her amazing energy and beautiful tone in Samuel Barber’s beloved Violin Concerto. The concert will conclude with Brahms’ Second Symphony, which will leave our audiences full of optimism.

Hear the works of Brouwer, Barber, and Brahms performed live by the MSO this February 10 & 11, 2023!

Sound Bite / Soaring Swan Songs

Guest conductor Nicholas Hersh explores the great mysteries of life and death through the works of Schubert, Rachmaninoff, and Sibelius.

Hersh will lead the MSO for the Rachmaninoff & Sibelius concerts. This program gives us the opportunity to hear Hersh’s arrangement of the second movement of Schubert’s famous string quartet, Death and the Maiden. Then pianist George Li will be featured on Rachmaninoff’s Rhapsody on a Theme of Paganini and the program will finish with Sibelius’ Symphony No. 5. This breathtaking beauty captures 16 soaring swans when the strings mimic the fluttering of wings and a glorious, arching theme played by the French horns.

Hear the works of Schubert, Rachmaninoff, and Sibelius performed live by the MSO this November 11th & 12th, 2022!

Meet the Musician: Gabriela Martinez, piano

Oct. 21 & 22: Rhapsody in Blue

Q&A with Gabriela Martinez

Upcoming this October 21 & 22, internationally recognized pianist, Gabriela Martinez returns to Modesto to perform Gershwin’s Rhapsody in Blue alongside your Modesto Symphony Orchestra. Excited to have her back on the Gallo Center stage with us, we were able to catch up with what she has been up to since last performing with the MSO in 2018.

Artist Bio →

MSO: We’re so excited to have you back in Modesto performing Gershwin’s Rhapsody in Blue! Are there any specific emotions you feel while performing Rhapsody in Blue? What sort of imagery comes to mind?

Gabriela Martinez: Rhapsody in Blue is one of my favorite concertos to perform.  It’s a truly magical piece where we see a world of “classical” music infused with unique jazz flavors.  It is really an exciting piece to play as we get to experience a world of incredible contrasts – musical, texture, style, and color. We live through a wide range of emotions.  There are amazing rhythmic solos, as well as lush inspired melodic orchestral sections.  

MSO: Last time you visited us was in April 2018, performing Manuel de Falla’s Nights in the Gardens of Spain. What are you most excited about performing with the Modesto Symphony again?

GM: I am so looking forward to being back in Modesto!  I loved my time in Modesto and really enjoyed playing with such an amazing orchestra! I am excited to play with them again and to meet with Maestro Dragon – his reputation precedes him.  He is wonderful, and I am thrilled to work with him!

One unforgettable story about my last visit to Modesto -- while playing the last lyrical solo piano passage of the Falla… THE LIGHTS WENT OUT AT THE GALLO CENTER!!! The whole concert hall was pitch black.  (The power went out in the whole block, and the generator kicked in what must have been seconds, but felt like minutes on stage…) I have been performing concertos since I was 5 years old, and that was a first for me.  Instinctively, I just kept going… and it’s a moment I will cherish forever! The comradery in those moments between audience, conductor, orchestra while navigating uncharted territory together before the power returned is something I will never forget.

MSO: Will you have any leisure time while in Northern California? Do you have any fun plans while being here?

GM: California is one of my favorite places on the planet.  There’s never enough time to explore! It’s been a few years since I was in Modesto though.  Would love to hear any recommendations of places to see, places to eat, have coffee… find me on Instagram @gabrielapiano

MSO: Any upcoming performances/projects are you looking forward to?

GM: I am really excited about my project, a recital program called RESONANCES which I am performing this season. RESONANCES is a journey that invites us to explore the echoes within us; to explore the search and inspiration that happens beneath the surface. It explores music from Brazil, Venezuela as well as new pieces by Caroline Shaw, Sarah Kirkland Snider, Viet Cuong and Missy Mazzoli.


Meet Gabriela in Modesto!

Come watch Gabriela perform Gershwin’s Rhapsody in Blue this October 21 & 22 at the Gallo Center for the Arts!

Artist Biography


Sound Bite / The Spiritual Beauty of Price's Concert Overture No. 2

To celebrate the "American Sound," guest conductor Christopher Dragon digs into the rediscovery of

Florence Price's long lost work and her rich legacy. Florence Price holds a significant place in American history as the first Black female American composer to have her symphony performed by a major symphony orchestra. However, her some of her work, including Concert Overture No.2, laid dormant for over 50 years in an abandoned home she once lived in until it was rediscovered in 2009 and brought back into the spotlight. Price's Concert Overture No. 2 reflects the expressive and distinctive sounds of Negro traditions, particularly the spirituals, ragtime, and folkdance rhythms whose origins trace back to Africa. This overture features the spirituals “Go Down, Moses,” “Nobody Knows the Trouble I’ve Seen,” and “Every Time I Feel the Spirit.”

Hear Price's Concert Overture No. 2 performed live by the MSO this October 21st & 22nd, 2022!

Star Wars: A New Hope in Concert By the Numbers

June 3 & 4: Star Wars: A New Hope in Concert

“Never Tell Me the Odds!”


The Force is Strong with the MSO

Come join Ryan Murray & the MSO on a trip to a galaxy far, far away in Star Wars: A New Hope in Concert this June 3 & 4 at the Gallo Center for the Arts!

Behind the Podium / Star Wars in Concert with Conductor Ryan Murray

Behind the Podium / June 3 & 4: Star Wars: A New Hope in Concert

Conductor Ryan Murray Takes the MSO to a Galaxy Far, Far Away!

This June 3rd & 4th, the Modesto Symphony Orchestra travels to a galaxy far, far away when we perform Star Wars: A New Hope in Concert, live to film!

Previously MSO Associate Conductor Ryan Murray has conducted our past two film concerts: Pirates of the Caribbean in 2019, and Pixar in Concert in 2020. This time, he will be leading 81 musicians in perfect time as Star Wars: A New Hope plays on a 26’ x 16’ screen (the equivalent of 36 60” TVs!) at the Gallo Center for the Arts. An impressive feat that is a result of only 5 total hours of rehearsal time together!

Read on as we interview Ryan for an exclusive look behind the stage to see what goes into preparing for a unique concert like this.

MSO: How long does it take for you to prepare for a movie concert and is there any difference compared to preparing for a standard classics or other pops concerts?

Ryan Murray, conductor: It takes anywhere between four to six months to prepare for a movie concert and there are some major differences in how you prepare for these concerts compared to a standard classics or pops concert. The major difference in getting ready for one of these concerts is memorizing and internalizing the tempos of the original movie. Unlike in a traditional concert where the interpretation can vary from orchestra to orchestra and conductor to conductor, in the movie concerts you must play exactly in time with the film! And while I have a special screen in front of me with something called punches and streamers on it to help me line up with the film, the orchestra does not have that information, so it’s my job to really know the score inside and out so that we can make sure everything lines up just right!

Conductor Ryan Murray at the podium, with screen that provides film information in real-time.

MSO: Could you explain the how you use the screen in front of you to help line the orchestra up with what is on the big screen?
RM: Sure, while I’m conducting I have a click track and a special screen in front of me that I use to line everything up with the film. The orchestra does not have that information, so it is really the conductor’s job to make sure that all the tempos line up exactly with the film. Once the movie starts there is no margin for error, and we all must work very hard to make everything match! It is actually a very fun challenge and keeps you on your toes as a conductor!

MSO: Movie concerts are popular among audiences not only because hearing the music live is thrilling, but because the movies tend to be nostalgic for most of us. Does the nostalgia or being a fan of the movie, have an impact on you when you’re prepping or when rehearsing?

RM: There is a big nostalgia element when it comes to preparing a movie concert—especially Star Wars. I can’t think of any music that is more iconic than those opening few minutes of the score. I think we are all really excited about this music and for so many musicians we grew up loving this score—so to put it all together with the live movie and our fantastic audience it’s very exciting!

Conductor Ryan Murray leading the MSO in Pirates of the Carribean: The Curse of The Black Pearl, March 2019

MSO: What do you think makes this John Williams’ score is so iconic?

RM: To me John Williams’ music is so dramatic and the way he writes for the orchestra is absolutely brilliant. The score is full of wonderful melodies and much like an opera, each main character has their own theme. These themes are then developed and transformed throughout the film to help us understand the emotions and the drama of the scene and this element of the movie becomes even more powerful with a live orchestra on stage!

MSO: Are you a Star Wars fan and if so, what is your favorite Star Wars movie?

RM: Yes, definitely a Star Wars fan! I would say my favorite Star Wars movie is either A New Hope—which we are performing, or the Return of the Jedi. Although I didn’t know it at the time, because I didn’t start studying music until high school, I’m sure the symphonic score was one of the major things that made me such a fan of these movies!  


The Force is Strong with the MSO

Come join Ryan Murray & the MSO on a trip to a galaxy far, far away in Star Wars: A New Hope in Concert this June 3 & 4 at the Gallo Center for the Arts!

Meet the Musician: Sandeep Das, tabla

May 6 & 7: Haas conducts Wijeratne & Tchaikovsky

Talking About Tabla with Sandeep Das!

Upcoming this May 6 & 7, Grammy-winner tabla master, Sandeep Das will be performing Dinuk Wijeratne’s Concerto for Tabla alongside your Modesto Symphony Orchestra. Fresh from a tour of London, Sandeep took the time to sit down with us to tell us more about this exciting concerto and his instrument, the tabla.


MSO: This is the first time most of our audiences will see this piece performed live, however you have performed this many times before. What is your history with this piece, when was the last time you performed it?

Sandeep Das: I am actually coming in to Modesto right after a tour of this very concerto with the National Youth Orchestra of the United Nations in London, U.K. I feel Dinuk Wijeratne’s Tabla Concerto is one of the finest Western compositions written for my instrument, and I am looking forward to sharing it with everyone in the audience!

MSO: The tabla is an instrument not often highlighted in Western Classical music. Can you tell us more about this instrument, how you got into it, and how it had led you to where you are today?

SD: The Tabla are one of the most popular drums in the North Indian Classical tradition, a complex and highly refined music system that has been passed down orally for more than 4,000 years. There is a fun story about how I got into this instrument: 

One day, when I was about 8 years old, I was sent home from school with a note from my teacher. I had been disturbing the class by tapping on my desk, and when asked to stop, I started tapping my feet! They suggested that I be taken to a doctor. 

Luckily, I had a smart father, and instead of taking me to a doctor, he gifted me my first pair of Tabla, and my lessons began that very night. 

My Guru, Pt. Kishan Maharaj, was a legend of North Indian Classical Music in the same way Bach, Beethoven, and Mozart are revered as legends of Western Classical Music. I learned Tabla in the traditional Indian Guru-Shishya Parampara, a system where the Shishya, or student, lives with their Guru (teacher) as a member of the household while they are learning. 

For 12 years, I lived with my Guru in Banaras, an ancient Indian city known as a historical and contemporary center for intellectual, spiritual, and artistic learning. Music was taught to me not just as an art form, but as a way of life. Guruji would teach when and however he pleased. I was even taught while sitting in the garden, riding horses, and performing on stage with him at a concert!  

MSO: Music education is something that is very important to you, which is evident through your programs like Harmony and Universality through Music (HUM) and Das Tabla School (DTS). Can you elaborate more about these programs you founded and how they help enrich the lives of your students?

SD: I strongly believe that the youth are our future, and we should do everything we can to open the windows of their hearts and minds to what is beyond the places, people, cultures, and ways of life that they know. Harmony and Universality through Music is an Indian nonprofit organization that I founded in 2009, which strives to promote global understanding through performance and education by the HUM Ensemble and provides learning opportunities and scholarships for visually-impaired children with potential in any genre of art to empower them to lead self-reliant lives. Since its inception, HUM has grown in size and now supports nine children through a National Scholarship. 

MSO: Will you have any leisure time while in Northern California? Do you have any fun plans while being here? (Sights to see, places to you have to eat at, etc.)

SD: I am a golf addict and will definitely spend some time golfing!!!

MSO: Any upcoming performances/projects are you looking forward to?

SD: I recently launched a project called Transcending Borders One Note at a Time, which aims to harness the transformative power of music to spread a message of love and compassion, and to inspire positive social change through a variety of media including performances, residencies, community engagement activities, and talks/presentations. As part of that initiative, the HUM Ensemble recently released its debut album, “Delhi to Damascus”, which features a collaboration between Indian Classical and Syrian music. This project is currently touring live performances alongside “Delhi to Shiraz”, a musical celebration of the shared heritage between India and Persia. 


Meet Sandeep in Modesto!

Come watch Sandeep perform Wijeratne’s Concerto for Tabla this May 6th & 7th at the Gallo Center for the Arts!

Sound Bite / Fighting Fate with Tchaikovsky's Symphony No. 4

Tchaikovsky's fight with fate comes to life with his Symphony No. 4. Conductor Paul Haas dives deeper into Tchaikovsky’s ill-fated marriage and how he overcame his struggles with the help of his best friend, Nadezhda Von Meck.

Hear Tchaikovsky's Symphony No. 4 performed live by the MSO this May 6 & 7, 2022!

Sound Bite / Rising to the Top with Wijeratne's Concerto for Tabla

"History has a way of making sure that excellent music rises to the top." Hear from Conductor Paul Haas why Dinuk Wijeratne's Concerto For Tabla will surely rise to the top of orchestral music in our latest MSO Sound Bite!

Hear Wijeratne's Concerto for Tabla featuring Sandeep Das live this May 6 & 7, 2022!

May Concerts: Free Student Ticket Program!

The Symphony welcomes all students with free tickets!

The MSO is excited to launch a free student ticket program for their May concerts.

All students interested in attending with the MSO’s Wijeratne & Tchaikovsky concerts or the MSYO Season Finale Concert can attend for free. Free student tickets are available in-person from the Gallo Center Ticket Office with a valid student ID.

The MSO’s free student ticket program was generously sponsored by Dr. Phillip & Margaret Beck and Robert & Martha Falzone.

The Gallo Center for the Arts Ticket Office is located at:
1000 I Street
Modesto, CA 95354 Maps & Directions
10:00 am – 6:00 pm, Monday–Friday
12:00 noon – 6:00 pm, Saturday

Sound Bite / Exploring Osvaldo Golijov's "Sidereus" with Dirk Meyer

Explore the sights & sounds of space through Argentinian composer, Osvaldo Golijov's work, "Sidereus" with conductor Dirk Meyer!

Composed in 2010, "Sidereus" was commissioned by the League of American Orchestras in honor of former president Henry Fogel's years of service to the orchestral world. Golijov wanted Sidereus, meaning "belonging to the stars," to evoke the emotion he felt while staring up at the night sky over his home in Patagonia, Argentina.

Hear Golijov's "Sidereus" live in Modesto on April 1 & 2, 2022

Sound Bite / The Sheer Joy of Prokofiev's Piano Concerto No. 3

Conductor Dirk Meyer explains why Prokofiev's Piano Concerto No. 3 is a virtuosic masterpiece and promises you won't be able to contain yourself with this exciting, energetic piece that fills the listener with sheer joy.

Hear Prokofiev's "Piano Concerto No. 3" live in Modesto on April 1 & 2, 2022: