Hailed by the Tacoma News Tribune for her “shining coloratura and brilliant high notes”, soprano Jennifer Bromagen enjoys performing on opera and concert stages throughout the Pacific Northwest. She has performed as La Contessa di Almaviva in Le Nozze di Figaro with Bellevue City Opera, with Puget Sound Concert Opera as the title role in Donizetti’s Anna Bolena, and as the Soprano Soloist in Golijov’s She Was Here with the Northwest Sinfonietta. Most recently, Ms. Bromagen performed as the title role in Puget Sound Concert Opera’s production of Martha, as well as The Queen of the Night in Vashon Opera’s The Magic Flute, and with the Pacific Northwest Opera as Antonia in Offenbach’s Les Contes d’Hoffmann.
Ms. Bromagen was an Associate Artist in Residence with Cleveland Opera and performed on their main stage as the First Handmaiden in Turandot, Kate Pinkerton in Madama Butterfly and as Edith in The Pirates of Penzance. She has also been seen in such roles as Fiorilla in Il Turco in Italia, Amina in La Sonnambula, and Countess Adele in Le Comte Ory. She has been a featured soloist in concert halls, temples, and cathedrals throughout the U.S., performing classic solo concert works from Beethoven’s 9th Symphony, Handel’s Messiah, Mozart’s Coronation Mass, Mendelssohn’s Elijah, and Verdi’s Requiem, as well as such contemporary works as Jenkins’ Cantata Memoria and Arnesen’s Wound in the Water. In the 2018-19 season, engagements include a return to the Northwest Sinfonietta as the Soprano Soloist for Faure’s Requiem, as well as a role debut with Pacific Northwest Opera as Mimi in Puccini’s La Boheme, and a return to the Puget Sound Concert Opera as the title role in Massenet’s Manon.
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